New Renoise Color Themes from spktkpkt and NPC1.Try to avoid crashes when VST3 Plugin GUIs crash while opening/closing down their GUIs.Allow specifying multiple “secondary” VST paths on Windows and OSX.Midi recording precision dependent on latency When recording MIDI events, always compensate/fix the time it took to receive MIDI events to improve timing, also when the “Adjust recording latency (record what you hear)” option is disabled.Added new option to compensate MIDI input playback (not recording) jitter (at the cost of introducing a bit of latency) → See Preferences → MIDI → “Fix received MIDI event jitter”.Compensate UI scaling when mouse-dragging controls with the GUI → “Mouse warping” option enabled.Unstable timing (jitter) of VSTi MIDI routed events Fixed various timing issues with MIDI generator plugins.OSX: In Device not picking up audio from microphone OSX: Explicitly ask for user permission to use the microphone when using CoreAudio input devices. ![]() OSX: Added “Audio Workgroup” support on OSX to minimize dropouts with very small audio buffer sizes.Linux: Don’t limit possible ALSA audio buffers sizes to pow2 values.Linux: Allow using the “default” ALSA system device (e.g.Linux: Added support for shared memory X11 images to improve GUI speed on some systems.Windows: Boost MIDI input thread’s priority to improve MIDI input playback/recording timing.Windows: Added an option to ignore ASIO reset requests (necessary workaround for some buggy drivers).Windows: Improved MIDI output timing, especially when using DirectSound.Windows: WASAPI Audio device support (with “exclusive mode” support like ASIO - and “shared mode” support like DirectSound) Linux: 32 & 64bit ARM builds (ARMhf & ARM64), optimized for Raspberry PI 3/4 OSX: New macOS Metal based GUI rendering to improve UI speed, especially on Retina Displays and with some color profiles OSX: ARM64 builds (shipped as Intel 64bit/ARM64 Universal binary) with the ability to load intel plugins via plugin bridge and Rosetta in Apple M1 based systems Oliver also conceived and programmed Southbank Centre’s first DEEP∞MINIMALISM festival in June 2016, with large audiences lying on a church floor listening to the music of Éliane Radigue, and Pauline Oliveros leading her last public Tuning Meditation.Registered Renoise and Redux users can download the update, as usual, from:ĭemo versions are available at the Renoise main site’s download page:ĪRM support for MacOS (on Apple Silicon) and Linux (Raspberry Pi), MacOS Metal rendering, Windows WASAPI driver support, Ableton Link support (all platforms). platform was a 16 part cello recording of John Luther Adam’s contemplative arcs of sound Canticles of the Sky. ![]() Another release for 2018 on the RVNG Intl. Coates made music for Shelley’s largely in Renoise software, composing complex drum sequences in numbers and pencil drawn waveforms. Shelley’s on Zenn-La is an ambient braindance record that codes live cello performance alongside warm drone synthesis and drums. He has also played live with Terry Riley, Steve Reich, Jonny Greenwood, Actress and Genesis P-Orridge.Ĭoates first developed his electronic programming and dance music tropes on Upstepping (2016), which leads now to the expansive architecture of his 2018 album, Shelley’s on Zenn-La, his first for RVNG Intl. Variously, Coates has received the Royal Philharmonic Society Young Artist Award and has been commissioned for film music by visual artist Lawrence Lek, recorded with composer Jonny Greenwood on the scores for Paul Thomas Anderson’s The Master and Phantom Thread and collaborated with musician Mica Levi on the 2016 album Remain Calm. His in-depth understanding of and relationship with classical cello is met with his exploration and pleasure in electronic audio and synthesis. In broad string strokes, British cellist and producer Oliver Coates has contributed to the recordings of Radiohead, collaborated on composition with Laurie Spiegel and John Luther Adams, and performed as an improviser with Dean Blunt and Micachu.
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